http://www.pool-la.com/new-index-1 daily 0.75 2018-06-13 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1473110858345-4EKQIXNXCL17XFVLHJ1H/POOL_Moving+Water+%2850+Shades%29.gif DRAFT https://images.squarespace-cdn.com/content/v1/576ae204e58c625f37d961d1/1472590015046-6EWF4LQWDT1HUX2Q45OP/toothbrush-v6.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1494829745822-FGCPPRXB3S9D8H9MWSUQ/Pool+dwgs+-+Will+Fu_Page_1.jpg DRAFT Georges Bataille hypothesis constructions of architecture as a physical embodiment of ideology and the state’s values of power. The storming of the Bastille during the French revolution marked a very direct physical confrontation against state power. In modern day architectural production, the iconic and stylistic exercise of architecture attempts to subdue public populations while masking the activities of inner power structures. Late modernism’s commissions of distorted values to stress literal transparency to promote visual connection still did not ameliorate the invisible social structures presented by the autonomous office buildings. Protests to this day still direct confrontation at architectural monuments and icons, marking public space key sites of contention. As state institutions invest heavily in anti-protest infrastructures, equipment, and training, against formalized bodies of publics, new inventive forms of activist tactics is in need to fully utilize modern technologies and thwart state restrictions. Popper is a machine in support of nonviolent revolution. Popper is inspired by the preachings and actions of Gandhi. It is a mini-architecture that seeks to utilize architecture and technological media against the big boy monuments and icons of economy, institution, and government. Empower the people through space creating, education, and discussion. Architecture against architecture. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456427533187-IOOOHITNT2U97JDT9GGQ/image-asset.png DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456428805655-PTZE743V53CU93UA4DN7/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1454894363852-3Z14R6OZI90OA8L3G7TW/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1454896326108-FQ78HJO97DANXUJ1AXB5/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1454896409760-I7OMY3EX9DFPGHLWDDPK/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456427381057-6SW3F8M1VIS7NRF7717C/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456428506778-6IHWBUUVJ94CH1G79827/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456427969371-S9TPF54AA67O7OH5FXW9/image-asset.png DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456427946988-MMAHZIU5HH3GFQIRMG4D/image-asset.png DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456427993295-9VWWB2ZQS6FRUG366RJ2/image-asset.png DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456430973742-3KSDS0XRQG6R57DBFW20/image-asset.png DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1468729431821-QU5A6FOA6MGBPQ31QNOZ/image-asset.png DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1468730939484-OURRRO8PAOHTH02ZHATU/image-asset.png DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492982088498-CA44TZIGFRF1DP5EP5AN/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492991402108-L738KJ8U211JKYIXX4EI/%23Fig.1+Spring+Street DRAFT Fig.1 101 Spring Street, 1972. (Photograph: Paul Katz/Judd Foundation Archives) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493516533308-S5FT4H65KM28ODLSBZ6J/%23Fig.+5 DRAFT Figure 5. Front page of the Soho Newsletter with a map captioned “SOHO: The Artists’ Legal Turf,” 1971. (Image: SoHo Artists Association/Archives of American Art) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493515504032-5PUC4FNGQ2VF0MLQYEBW/%23Fig.+2 DRAFT Fig. 2 Living among art: fifth floor bedroom with bed platform by Judd and artwork by Dan Flavin and others, 1970s. (Photograph: Annabelle D’Huart/Judd Foundation Archives) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493515731876-YIW7WTOF15P8A2SRUH1L/%23Fig.+3 DRAFT Figure 3. Judd with students gathered on the first floor of 101 Spring Street, 1974. (Photograph: Barbara Quinn/Judd Foundation Archives) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493515870645-WTJ2BQOUO907ZD2FVNU1/%23Fig.+4 DRAFT Figure 4. The loft aesthetic: high ceilings, heating stove, and industrial cookware on the second floor, 1985. (Photograph: Doris Lehni-Quarella/Antonio Monaci) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493594585402-H7J1DBRYZX8XD6EG7HK0/image-asset.jpeg DRAFT The chapter on design in the 1967 National Commission on Urban Problems shows the untapped potential for architecture to contribute to Presidential discourse. It avoided the potent issues of race, inequality, and deteriorating housing though its consideration of style has the potential to avoid pitfalls of a divided society. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599748297-R9XNTPTXC7FV2BIPXN3H/Daniel+Haidermota_Skyscraper_Page_02+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599748549-7ADSSDTPVN5YQYY68H30/Daniel+Haidermota_Skyscraper_Page_03+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599749548-R1W0ZGAL1NX2ZGPZ95VP/Daniel+Haidermota_Skyscraper_Page_04+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599750304-JKKH3XBSW5TNT8QWUY7Y/Daniel+Haidermota_Skyscraper_Page_05.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599751429-RQL1QDQ5ATKA5K3ADF78/Daniel+Haidermota_Skyscraper_Page_07+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599752572-I06RBH3K78RK6YZSCXP7/Daniel+Haidermota_Skyscraper_Page_08+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599752895-0C8NYGQKNWRT2VC177VV/Daniel+Haidermota_Skyscraper_Page_09+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599753759-4RIDYCVSHQBV9B28N9A1/Daniel+Haidermota_Skyscraper_Page_10+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599754051-N4HSB68GXUPQQHSXUGFC/Daniel+Haidermota_Skyscraper_Page_11+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599754868-TVBMQE8A14PBVIX4SH6P/Daniel+Haidermota_Skyscraper_Page_12+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599755113-0VVBU9YZULSIXGDXXOLG/Daniel+Haidermota_Skyscraper_Page_13+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599756034-I1W0WYEHK7Y8L4DS5RT2/Daniel+Haidermota_Skyscraper_Page_14+copy.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493599756256-W87STCLUCE8CMMRMZQ4M/Daniel+Haidermota_Skyscraper_Page_15.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1494828298287-ATDLVNWZNXF0510A12DD/Pool+dwgs+-+Will+Fu_Page_1.jpg DRAFT Georges Bataille hypothesis constructions of architecture as a physical embodiment of ideology and the state’s values of power. The storming of the Bastille during the French revolution marked a very direct physical confrontation against state power. In modern day architectural production, the iconic and stylistic exercise of architecture attempts to subdue public populations while masking the activities of inner power structures. Late modernism’s commissions of distorted values to stress literal transparency to promote visual connection still did not ameliorate the invisible social structures presented by the autonomous office buildings. Protests to this day still direct confrontation at architectural monuments and icons, marking public space key sites of contention. As state institutions invest heavily in anti-protest infrastructures, equipment, and training, against formalized bodies of publics, new inventive forms of activist tactics is in need to fully utilize modern technologies and thwart state restrictions. Popper is a machine in support of nonviolent revolution. Popper is inspired by the preachings and actions of Gandhi. It is a mini-architecture that seeks to utilize architecture and technological media against the big boy monuments and icons of economy, institution, and government. Empower the people through space creating, education, and discussion. Architecture against architecture. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1494828304536-K6FQJEO1T3ZC0TBL46IV/Pool+dwgs+-+Will+Fu_Page_2.jpg DRAFT Inflatables created as icons and a monument seeks to scale down its significance into manageable opponents. The inflatables that popper facilitates are for sitting, lounging, and for popping if you’re really fed up. Using one form of architecture against another, the inflatables create its own public microclimate that is mobile, and flexible. A mobile power cell gives life to popper and also charges phones and laptops for discussion and general public use. A wireless router provides an independent hotspot that will attract a general public to approach and participate while the radio transmitter seeks to exteriorize and project information. Architecture does not take kindly to radio waves. Radio waves don’t really care about architecture and pass right through it. No matter stone, brick, concrete composition of your banks, parliament, or churches, radio waves will reduce these “powerful” and stable works of architecture into complete porosity. Poopers eyes display live information and has built in speakers in attempts to carry information in a overlapping radius of influence. Rather the brute force of populations clashing against state, invisible forces of mediation can provide awareness through information intensity. Invisible forces themselves are harder to snuff out, and control. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1494828313348-LHV67X300WTPL7GLPLQJ/Pool+dwgs+-+Will+Fu_Page_3.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1494828331379-4MOTVB4SYH7IZ2K64E05/Pool+dwgs+-+Will+Fu_Page_4.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1494828339912-6GC5VHO6036MEWW8VSM4/Pool+dwgs+-+Will+Fu_Page_3.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1494828359266-VR7YQ0HT6MKQ6M2G5B1S/Pool+dwgs+-+Will+Fu_Page_5.jpg DRAFT Popper is conceptualized to be mobile and deployable in any public space, or in front of any iconic structures. Due to its technological tools it is better utilized in developed cities like example here: Bryant Park, New York. Popper is at its highest potential when it is able to utilize its multiple tools for protest from broadcasting information, making spontaneous zones for rest through its inflatables, or its general use as a charging and hotspot location. All modes of infrastructure seeks to congregate muliple populations to learn more about relevant issues from key facilitators. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492982088498-CA44TZIGFRF1DP5EP5AN/image-asset.jpeg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492991402108-L738KJ8U211JKYIXX4EI/%23Fig.1+Spring+Street DRAFT Fig.1 101 Spring Street, 1972. (Photograph: Paul Katz/Judd Foundation Archives) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493516533308-S5FT4H65KM28ODLSBZ6J/%23Fig.+5 DRAFT Figure 5. Front page of the Soho Newsletter with a map captioned “SOHO: The Artists’ Legal Turf,” 1971. (Image: SoHo Artists Association/Archives of American Art) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493515504032-5PUC4FNGQ2VF0MLQYEBW/%23Fig.+2 DRAFT Fig. 2 Living among art: fifth floor bedroom with bed platform by Judd and artwork by Dan Flavin and others, 1970s. (Photograph: Annabelle D’Huart/Judd Foundation Archives) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493515731876-YIW7WTOF15P8A2SRUH1L/%23Fig.+3 DRAFT Figure 3. Judd with students gathered on the first floor of 101 Spring Street, 1974. (Photograph: Barbara Quinn/Judd Foundation Archives) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1493515870645-WTJ2BQOUO907ZD2FVNU1/%23Fig.+4 DRAFT Figure 4. The loft aesthetic: high ceilings, heating stove, and industrial cookware on the second floor, 1985. (Photograph: Doris Lehni-Quarella/Antonio Monaci) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528920292683-0VSFPF2AKLAPX7SVBM76/01+Limbo.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528920292764-I55A9XUYPMXEBDKAS3C6/02+Limbo.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528920298347-KBG0DBEO35ZASHQSYO69/03+Limbo.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528920302501-L9FUSTWKWR4GJ3BOAQFN/04+Limbo.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528920303578-OBXVVPFQLCKJ7WL8RFM2/05+Limbo.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528920310833-8TH0PJOOISN0UOS44UMW/06+Limbo.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528920322536-OYYONXEYZYE540EC323S/08+Limbo.jpg DRAFT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1528928858041-4K1F2G4YVSASVSD5EWGR/07+Limbo.jpg DRAFT http://www.pool-la.com/content-2 daily 0.75 2021-05-28 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1498524737659-HLBA4ADCFQPEV5Z9J9A9/Davis_five_excercise_thumbnail+GIF0-03.jpg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503968225935-7XQNPXPD39YKJ23GLEMY/Architecture-Hero_Thumbnail_GIF.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1508198225241-VVAIXQPDOWDJ3UX9VF4J/Cuff_Act+Like+An+Architect.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434134343184-7P8WBA7VBMOELV2876OP/concrete+turf CONTENT A hard divide between concrete and synthetic turf on a sidewalk on 11th Street in the South Park neighborhood of Downtown Los Angeles. (Photograph by Ian Besler) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139259310-67113PHERG4LHMZI5SIL/image-asset.jpeg CONTENT The carpet-like uniformity and unnaturally simulated quality of the original AstroTurf (initially marketed as ChemGrass) patent drawing seems to come through in its obstinate refusal to fit neatly into any one category: Is it a carpet? Or is it a scrub brush? (U.S. Patent No. 3,332,828, “Monofilament Ribbon Pile Product,” James M. Faria & Robert T. Wright, issued July 25th, 1967) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139313996-OIEFAL76ZLSI2PQ6FG1V/image-asset.jpeg CONTENT A golf ball is dramatically dissected in the pursuit of the perfect playing surface. “Thus,” writes the inventor, “the ball will behave as it does on grass.” He then goes on to assert that characteristics of his artificial surface make it equal or superior to natural grass. (U.S. Patent No. 3,995,079, “Artificial Turf-Like Product,” Frederick T. Haas, Jr., issued November 30th, 1976) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139570017-6A3JUDH1X8CBS18DA5V6/image-asset.jpeg CONTENT The oscillation in scope and scale, from the micro focus of the patent for a single blade of grass, to the macro focus of the patent for an entire landscape, is itself a meaningful indicator of how chemists and inventors approached the problem of manufacturing convincingly natural landscapes through synthetic means and materials. (U.S. Patent No. 5,419,561, “Method of Playing Golf Game on Reduced Size Course,” Charles G. Webber, issued May 30th, 1995) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139660876-RUL0J72ZVW1NVNFCIVTA/image-asset.jpeg CONTENT The ambition to control and perfect nature, while still capturing its richness of variety, makes for a difficult and often visually perplexing representational outcome. (U.S. Patent No. 4,850,594, “Perfect Putting Surfaces,” Peter Manzione, issued July 25th, 1989) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139700737-ELT86T64132IETCI6JY2/image-asset.jpeg CONTENT Drawings for the methods and apparatuses for tufting, or otherwise making blades of synthetic grass appear less uniform, and therefore more natural, seem to dwell obsessively on the characteristics of individual blades. Here, a blade of grass is diagrammed and depicted as one might for a work of sculpture on a pedestal. (U.S. Patent No. 4,061,804, “Non-Directional Rectangular Filaments and Products,” Walter Graham McCulloch, issued December 6th, 1977) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139737100-YTA0MSP7I267SXG79MEW/image-asset.jpeg CONTENT A cross section of a spiraled blade of artificial grass, among the more recent advances in aesthetic fidelity to natural grass. The text of many patent filings reveals an alarmingly deadpan preoccupation with the idea of not only mimicking natural phenomena, but improving on them through engineering. (U.S. Patent No. 5,601,886, “Artificial Turf,” Yoshio Ishikawa & Hiroaki Fukumoto, issued February 11th, 1997) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139790023-PAFUAU2GM9V3AS5VR9B1/image-asset.jpeg CONTENT The representation from manufacturing process and method to convincingly simulated outcome. (U.S. Patent No. 6,551,689 B1, “Synthetic Grass with Resilient Granular Top Surface Layer,” Jean Prevost, issued April 22nd, 2003) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434139881729-K223SWHTGDYUOWO38ZW5/2015_05may_06_projects_writing_astroturf_images_01.jpg CONTENT A hard divide between concrete and synthetic turf on a sidewalk on Los Angeles Street in the Skid Row neighborhood of Downtown Los Angeles. (Photograph by Ian Besler) https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434135671271-6ZTKKUTGSN330YD9986L/image-asset.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434135650418-AKD1KW2BL5DE87UPNTJ1/jacob.jpg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492993725264-1KRMAC72ESAH9PJ71WMD/Reimaing_FIG_01_1.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492993725326-DNU6DR9ELFLD1F2JLGEU/Reimaing_FIG_01_2.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492993725662-YDDAG80FWJNYX9JJOADE/Reimaing_FIG_01_3.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434138328274-LIUXMKKNDJP5E1HWP1Y4/fig+2 CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434138407715-46FHFYBK5QXHV11OJUNU/Gabriel+Fries-Briggs%2C+Nicholas+Paierski%2C+Brendan+Shea%2C+Architecture%2C+UCLA%2C+POOL CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434138440508-QTZECERL9P4D4J29NREP/image-asset.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434138519804-PZNCFD6FGF9A17SE0VVO/fig+5 CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434138592015-ELQ8JPTLAH21YI6VZO43/fig+6 CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434138703087-8Z8AKZ6MGHN53THCWJQO/fig+7 CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434138732485-CUKVJWQQ7UQZS0G94XR8/fig+8 CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438592685-9LLUOD55AHEV86LBC70D/fig+1 CONTENT Figure 1. Carl Akeley and assistant, at work. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440150430-6P7SHITQP45CSDD1NUI5/2.jpg CONTENT Figure 2. Carl Akeley, shotcrete used in taxidermied elephant. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440167245-D8ZFTDJRX9N7YRVXLS1C/fig+4 CONTENT Figure 3. Carl Akeley, Patent Application for “Apparatus for Mixing and Applying Plastic or Adhesive Materials.” https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440190556-T0S6U2M0EH2TY8IKQHSP/image-asset.jpeg CONTENT Figure 4. George M. Pro, Patent Application for “Discharge Nozzle for Hydrating Cementitious Substances Under Pressure.” https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440283282-841Z85LDWH4MS1LWR7D7/image-asset.jpeg CONTENT Figure 5. Shotcrete-stabilized cliff in New Zealand. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440410921-C3UIV3MV8NJQ953Z8IH4/image-asset.jpeg CONTENT Figure 6. Antti Lovag, Bubble House. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440429062-XC6KCC0PFN291COWPIJ8/image-asset.jpeg CONTENT Figure 7. Pascal Hausermann. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440449445-FQWK0L39465SXIYUS96O/image-asset.jpeg CONTENT Figure 8. Antti Lovag, Abandoned experimental sphere. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440469760-ISE23UZAZRDGY4QGJN3N/image-asset.jpeg CONTENT Figure 9. Antti Lovag, Bubble House. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440712394-40PJGAY4QL8WO7JF7ZR2/image-asset.jpeg CONTENT Figure 10. Gehry Partners, E.M.P., Under construction. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440731502-LBE4BIOW1PV4F55IBE3V/image-asset.jpeg CONTENT Figure 11. Gehry Partners, E.M.P., Interior. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434440747514-FW20YS72H33QCIF1TT82/image-asset.jpeg CONTENT Figure 12. Gehry Partners, E.M.P., Steel details, screenshot. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434441592515-6R408IYZKDQXZPJDV249/image-asset.jpeg CONTENT Figure 13. Gehry Partners, E.M.P., Under construction. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438162757-328XIM4AL297DHYN0HAM/image-asset.jpeg CONTENT Fig. 1. RCA Kinephoto; Television History, the First Seventy-Five Years; TV History; Web; 15 Feb. 2015 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438269956-YNNEQCCXWZHKS5RRSO9G/image-asset.jpeg CONTENT Fig. 2. Case of the U-matic videocassette of Superstudio. The Long Beach Museum of Art Video Archive, circa 1970-2000. 1972, the Getty Research Institute, 12 Feb. 2015. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438321806-ZF15R9QHX4K4TV73GB40/image-asset.jpeg CONTENT Fig. 3. The U-matic videocassette of Superstudio. The Long Beach Museum of Art Video Archive, circa 1970-2000. 1972, the Getty Research Institute, 12 Feb. 2015. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438350406-6VIMKSSARUIC5VBVBK5N/image-asset.jpeg CONTENT Fig. 4. The label of the videocassette. The Long Beach Museum of Art Video Archive, circa 1970-2000. 1972, the Getty Research Institute, 12 Feb. 2015. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438450997-RV9KKIP8WHCUSEHI3HYG/image-asset.jpeg CONTENT Fig. 5. The receipt copy of shipping Daniel Burden’s videotapes. The Long Beach Museum of Art Video Archive, circa 1970-2000. 1972, the Getty Research Institute, 12 Feb. 2015. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438485475-W3MSFR186VQ6S37HJFJG/image-asset.jpeg CONTENT Fig. 6. The letter from Electronic Arts Intermix, Inc. to Howard Wise. The Long Beach Museum of Art Video Archive, circa 1970-2000. 1972, the Getty Research Institute, 12 Feb. 2015. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438530896-2A4FF6I6F1GVPOBDC1GU/image-asset.jpeg CONTENT Fig. 7. Three-two pulldown diagram; “Telecine”; Wikipedia; Web; 15 Feb. 2015. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438557758-CPKFPQXWYYM5MSUCV1IN/image-asset.jpeg CONTENT Fig. 8. Screenplay slides of Supersurface. Lang, Peter, and William Menking, Superstudio: Life without objects (Milano: Skira, 2003) 180. Print. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434438588148-4FQYIOA5XS12B10HDSV8/image-asset.jpeg CONTENT Fig. 9. Drawing of the exhibition cube at MoMA, Ambasz, Emilio. Italy: the new domestic landscape: achievements and problems of Italian design. (New York: New York Graphic Society Books, 1972) 241. Print. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1457136605256-EJOZLNRV95481FFU5L6I/image-asset.png CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1456896443323-1D380BAW61FQ58T4WUX6/image-asset.gif CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477937864716-NLBBTWCYOBEUJ5EFMRPE/Kevin+Daly_16+Tables%2C+1+Sheet+of+Plywood CONTENT Kevin Daly 16 Tables, 1 Sheet of Plywood click to download the CNC ready cut file https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477938901465-NOUVNHE86LUWPU1L5JCQ/Andrew-Kovacs_Proposal-for-a-Building-with-a-Roof-Garden-in-the-Form-of-a-Table CONTENT Andrew Kovacs Proposal for a Building with a Roof Garden in the Form of a Table https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477938985676-A2HFCL8RWHQZ46E5ZYCV/Erin+Besler_Table+of+Contents CONTENT Erin Besler Table of Contents https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477939096078-L9QSUL8L1CT9Y0Q7LL7C/Jimenez+Lai_Cul-de-Sacs CONTENT Jimenez Lai Cul de Sacs https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477939164367-5IJ2BN1FIO5R5DCKW72J/Steven+Christensen_Critical+Frequency CONTENT Steven Christensen Critical Frequency https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477937648287-I4U385C4VL5Q4HB383GE/Productora_Table+No.+1 CONTENT Productora Table No. 1 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477938530362-6HAT8ORYJ37G5BRLKEB9/Mark+Mack_Color+Your+Heavy+Legged+Pinwheel+Table CONTENT Mark Mack Color Your Heavy Legged Pinwheel Table https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477939026760-SGCFCPPW22TPJ8IRGQY3/Gabriel+Fries-Briggs_YMMV CONTENT Gabriel Fries-Briggs YMMV https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477939062015-CQNNRD9NDHTRPO9GK6ZG/Georgina+Huljich_Untitled CONTENT Georgina Huljich Untitled https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477939133426-LKRPZ4Z072DWOZYSB9QN/Narineh+Mirzaeian_Jigsaw CONTENT Narineh Mirzaeian Jigsaw https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477939651711-K5S0VXDZRKBSSQ4CPSBZ/Kevin+Daly_16+Tables%2C+1+Sheet+of+Plywood CONTENT CLICK for the CNC files capable of producing any of the shapes from a single sheet of 3/4"plywood. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492977763096-86FX8J8BASHUF727O7K2/image-asset.jpeg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492977865757-VQWU4JPAVXYB1DCLCSMJ/image-asset.jpeg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1492977875004-F4VQS7AV4E5M0AWT9MPV/image-asset.jpeg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503535037292-FXZEJC85KEAUUPBCOO75/Architecture+Hero_Air+Traffic+Control-01.jpg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503535036612-LM1UCEGCKWLJXR8SIX7T/Architecture+Hero_Air+Traffic+Control-03.jpg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503970169508-Y2IEFXJXHRYDF0BLZDAC/Architecture+Hero_Air+Traffic+Control-05.jpg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503535086218-9S35BBJ5QJF9NYPD03XF/Architecture+Hero_Air+Traffic+Control-02.jpg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503535086504-FECZANDYK0A5NMIZF543/Architecture+Hero_Air+Traffic+Control-04.jpg CONTENT https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503535090169-MKTGFFU8CMDBDAF219QC/Architecture+Hero_Air+Traffic+Control-06.jpg CONTENT 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Sed vitae feugiat purus. Vivamus dignissim orci eros, nec aliquet odio varius non. https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172168452-6BOOWK70YT8B67VBDIIY/MHeiderich_ReflexionenZwei-01.jpg Beast Aenean placerat metus et quam scelerisque posuere. Fusce odio velit, rutrum vitae velit vitae, dignissim varius neque. Donec nec justo sed mi ultrices suscipit. https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172168312-8F3SBHWN6VQ6ZSUSTD06/MHeiderich_ReflexionenZwei-04.jpg Beast Phasellus at arcu arcu. In non vestibulum magna. Morbi eu tempor dui. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. http://www.pool-la.com/rust-forte daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456173535440-ZV82XLR8JP6UFD4AQHNT/MHeiderich_ReflexionenZwei-05-2500x1875.jpg Rust - Rust Nam tempor eleifend diam, nec rutrum turpis gravida at. Sed viverra suscipit mi, eget consequat leo tristique sed. Proin vestibulum egestas metus in convallis. Photos by Matthias Heiderich. https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456173535440-ZV82XLR8JP6UFD4AQHNT/MHeiderich_ReflexionenZwei-05-2500x1875.jpg Rust - Rust Nam tempor eleifend diam, nec rutrum turpis gravida at. Sed viverra suscipit mi, eget consequat leo tristique sed. Proin vestibulum egestas metus in convallis. Photos by Matthias Heiderich. https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172657852-584YZR4J4F0PXV8FIHFF/MHeiderich-Southbound06.jpg Rust https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456172655968-FXT87ZJSIDZV9BFFBP9M/MHeiderich-Southbound04.jpg Rust https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456173414599-XVVH98GTLENYS4PBROG4/MHeiderich-ReflexionenZwei-03.jpg Rust https://images.squarespace-cdn.com/content/v1/56cb3e0bf85082a807c001fe/1456173750675-J61FTZKZD48O9GSQJ89M/MHeiderich-ReflexionenEins022.jpg Rust http://www.pool-la.com/projects-forte daily 0.75 2025-05-12 http://www.pool-la.com/about daily 0.75 2024-12-05 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715582084189-5ND3BBOQGPVBYI2G92ME/02012024-UCLA-GW-59.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1716256186349-NMR94V5CP0YOQV92QX5Y/02012024-UCLA-GW-71.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715581703118-CQG0QAXP994NE5CDXSI6/02012024-UCLA-GW-32.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715581686327-6RU23FOLAI85BIZCCVV3/IMG_7180.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715581799146-D1KKRG1LKOGM9WO1EDWB/02012024-UCLA-GW-17.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715581692548-DVPS8MF6LZN69R9E0ND7/02012024-UCLA-GW-7.JPEG About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715581811720-3GP0HA8U7IVJ2SU1CJ0H/02012024-UCLA-GW-19.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715582155621-WKKU7V9R0CCRVUN6HKJY/02012024-UCLA-GW-70.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715582139038-P9S0OOHNRNQQMYIGXD5A/WhatsApp+Image+2024-03-15+at+18.56.26_fa9ef639.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1718691727694-2CGG5GOHW7PDY7VJ7LZ0/unnamed.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715996035363-W6IARJDSJCOZMVVY7DC4/02012024-PhotoshootImagejpg-01.jpg About https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1715583049451-MXLK104MLJE1SY7IUOY5/Screenshot+2024-05-12+235026.png About http://www.pool-la.com/call-for-submissions-table daily 0.75 2024-05-13 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1455928113413-PTJY1ITG1IRC8MDF9RV0/poolcall Call For Submissions_Table http://www.pool-la.com/call-for-submissions-rules daily 0.75 2024-01-30 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1487916509508-94MYVP9XBVI7FI1SLZUV/Call-For-Submission_extended-call.jpg Call For Submissions_Rules http://www.pool-la.com/cover-page daily 0.75 2016-10-09 http://www.pool-la.com/test-page daily 0.75 2018-06-13 http://www.pool-la.com/stockists daily 0.75 2017-07-12 http://www.pool-la.com/poolside daily 0.75 2023-04-06 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1591834952764-VXC1JDE652UW2C7UC5FI/desert.vfx%281%29.png POOLside MAXIME LEFEBVRE & LEAH WULFMAN Desert.vfx https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1508196008634-ST4U7WBE59IQJ2LQNHQB/Cuff_Act+Like+An+Architect.gif POOLside Dana cuff Act like an architect https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1503536291653-6U56AVEPAEEP0JA7GOMV/Architecture-Hero_Thumbnail_GIF.gif POOLside Architecture hero air traffic control https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477944067734-0CW13RJPAORUERS5AQAR/Paper+Table POOLside UCLA AUD Faculty Paper Tables from Issue No. 1: Table https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477777390543-1TJ0YJSTRU6VCCCLQ6CE/Besler_The-Problem-with-the-Corner-Problem.jpg POOLside Erin Besler & Students The Problem with the Corner Problem https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1491769674154-YKVX9V4JJDNN6IT2TT5X/Mohamed_Abductors-pof-Architecture.jpg POOLside Mohamed Sharif Abductors of Architecture https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1628294106378-7QIC74A5E9G84S88FKLU/Charlotte+Toro_Bioindicators.jpg POOLside - Make it stand out CHARLOTTE TORO BOREAL BIOINDICATORS https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1591833170475-DRT54W387B1NYNQZM81R/Entourage-phenakistoscope-GIF_8x8.gif POOLside - POOLSide - phenakistiscope.gif https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1591833183822-4ZAHYY16IXKI1CU899DG/MNOffice+phenakistiscope+animated_8x8.gif POOLside - POOLSide - phenakistiscope.gif https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1591833258411-U1P60Z9WCWD3EE45ETLE/Agency%E2%80%94Agency_Spatial+Clock_Working+Parent_Phena-8x8.gif POOLside - POOLSide - phenakistiscope.gif https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1591833297937-6K1QJV27OTIDX0LEFDDV/Ventilated+Hourglass_hourglass+phenakistoscope_8x8.gif POOLside - POOLSide - phenakistiscope.gif https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1592071040070-3LZUNBNH7Q3GUDXGQODT/room+copy.jpg POOLside Will FU Home a/effects https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1592009266779-VH8O1SWEA0HGQ70HN1A2/scratching.jpg POOLside Lena Pozdnyakova and Eldar Tagi Scratching the (Sur)Face of the Anthropocene https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556166476724-NTYESDBG537APYK7BPQ1/PlaceSetting_cropped.gif POOLside ANDA FRENCH PLACE/SETTING https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556820319954-40AMDEN3M9G58MTM6D14/WestwodPinkGif.gif POOLside The death of the westwood PINK BUILDING https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477776893134-S11R04IUAIS1MQR490B7/comerci POOLside Jacob Comerci Each Piece Sold Separately https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1610646968171-MV087Z9DIZEQCY9BA9Q4/Screenshot-2021-01-03-173848.gif POOLside Steve Chen DREAMLAND https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556185543332-WSWMXH16SRSN2JVLV8XE/Sam%2BHolleran.jpg POOLside sam holleran a berghain devotional https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1496435162332-WU28RH8KRQ20GA91NSWV/Hector_Trackprints POOLside Terrence Hector Trackprints https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1477776374204-DAPJRW8F0RF0AL1K0ANO/beslerandsons_turf POOLside Besler & Sons A Taxonomy of Synthetic Turf Patent Drawings https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1434437624344-096RQ0397BMQQ3WVGAJY/reimagingthumbnail.gif POOLside Gabriel Fries-Briggs, Nicholas Pajerski, and Brendan Shea Reimaging Fabrication https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1485124764438-8Y230ZVD47GHQG3UZWLS/Maymind_TAXIDERMY+SHOTCRETE+AND+THE+TECHNO-AESTHETIC POOLside ALEX MAYMIND TAXIDERMY SHOTCRETE AND THE TECHNO-AESTHETIC https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1498522128670-EX1X8TC6TM7K3J70XE42/image-asset.gif POOLside William Davis five EXERCISES for readings https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1475189979233-52MTCCDCVT7A72WHKFA4/image-asset.gif POOLside Henry Rollins & Andrew Kovacs White Marbleade: A Conversation About Central Asia https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1612769715313-RK3DKMF4GHTX0YD0VDWJ/Riding.gif POOLside Galo Canizares peopling.studio https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1582231033080-639LTG3LC6NW77H14BU6/PIL_5_square.gif POOLside Phoebe Webster & Jack Stewart-Castner with Roundhouse Platform Philadelphia Is Layered Like a Collage https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1557870498724-IMZBFMM4A0XZKBM6SLZ5/Logo_Text.png POOLside Jeisler Salunga PARTI AND A BEER https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1516344527509-94N47C3HR1E4F1U6WSMO/hearts.jpg POOLside family values a conversation with michael osman https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1457641252674-H5PYXVXYCA7MSSD5VO0K/Neil+Denari+%26+Jimenez+Lai+LA+Car+Conversation POOLside Neil Denari & Jimenez Lai L.A. Car Conversation https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1485124632255-TS970PIDC71HS9GN9PC1/Kang_Superstudio-and-Videotape POOLside NYEONGGEUN KANG SUPERSTUDIO AND VIDEOTAPE https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1491768862253-ZNR8SAQPCW55EGG68Z9Z/image-asset.jpeg POOLside Shujie Chen, Tyler Kvochick, and Kevin Pazik Alien Novelty http://www.pool-la.com/call-for-submissions-party daily 0.75 2024-01-30 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1514193443663-QRVKML8RGFP998E152FJ/POOL+Party_Call+for+Submissions_Page_1.jpg Call For Submissions_Party https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1514193893353-1DA7CH0JYFW6JIO4YNOU/POOL+Party_Call+for+Submissions_Page_2.jpg Call For Submissions_Party https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1514193443944-QUUOK9XBA2032QA3HKY5/POOL+Party_Call+for+Submissions_Page_3.jpg Call For Submissions_Party http://www.pool-la.com/osman_family-values daily 0.75 2018-01-18 http://www.pool-la.com/call-for-submissions-nostalgia daily 0.75 2024-01-30 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1545515077003-7COT1ZHNDXFA281RPV3P/FINAL+Nostalgia+Call+2+of+3.jpg Call For Submissions_Nostalgia https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1545515085795-3YI610QF4S73QYDHFV29/FINAL+Nostalgia+Call+1+of+3.jpg Call For Submissions_Nostalgia https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1545515107314-U2X4ANWRCEE1BTEPSNJV/FINAL+Nostalgia+Call+3+of+3.jpg Call For Submissions_Nostalgia http://www.pool-la.com/westwood-pink-building daily 0.75 2019-05-02 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556821199561-E1HDUO1EJ9T1ETJ8KIXX/IMG_6733edit_small.jpg Westwood Pink Building Home to the University of California, Los Angeles Extension Administration, 10995 Le Conte (age unknown) was situated at the edge of the Westwood Village, near the In-n-Out. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556821227467-Z9535P33L318H6FTLOTS/MVIMG_20190211_085528.jpg Westwood Pink Building Over the course of the 2018-2019 academic year, the life of the 10995 Le Conte was sadly brought to an end. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556821283262-57VEHEO0367KLRQ7ZQ5F/IMG_3868.JPG Westwood Pink Building During its lifetime, 10995 Le Conte brought effortless joy to many. Its pale pink walls softened its brutalist appearance while complementing the Los Angeles sunsets. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556821251610-ROCTLRMLQHA0BQDQIYV4/52886987_296006074399089_8906519564850823168_n.jpg Westwood Pink Building Its architecture was often photographed by the UCLA design community, and its angel wing mural made for an unexpected opportunity for Westwood influencer-types. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556821318703-OX9D0TEP8RTVJQ6PP7DH/IMG_20190221_131210.jpg Westwood Pink Building 10955 Le Conte is survived by two pink buildings, 710 Westwood Plaza and 947 Tiverton Avenue, whose passing is imminent. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556821388159-O6LSGYLF5YS133EOV8JQ/MVIMG_20190226_152807.jpg Westwood Pink Building While we are unable to hold a proper service for 10955 Le Conte due to the quick and tragic nature of its passing, we encourage those who wish to stop by the site and pay their respects. https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556821406238-8XIF24CC4ISMIJIZRFGO/53155177_2088313847872664_1285359428224155648_n.jpg Westwood Pink Building 10955 Le Conte, you were taken from us too soon, but we will always carry your memory in our hearts. http://www.pool-la.com/place-setting daily 0.75 2019-04-25 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556178228914-IWM8EAGDL7ELTNSV8MZD/PlaceSetting_cropped.gif Place/Setting https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556152621010-KXGALBQMZPENDQO7G1U0/PlaceSetting_F2D_Pool+Party+Submission_4.jpg Place/Setting https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556152618757-U01QS7LPR39UKJANLHPV/PlaceSetting_F2D_Pool+Party+Submission_3.jpg Place/Setting https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556152630266-WNNIJ7RQUJSAZ05KIVF9/PlaceSetting_F2D_Pool+Party+Submission_COMIC.jpg Place/Setting https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556152768185-1310PQL0YKRDYLDD3ZXQ/PlaceSetting_F2D_Pool+Party+Submission_1.jpg Place/Setting https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556152923643-OLXQ1BU4D9HQAJHN0XN8/PlaceSetting_F2D_Pool+Party+Submission_2.jpg Place/Setting https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556152973932-V2XN725LCOWG630VGV59/PlaceSetting_F2D_Pool+Party+Submission_5.jpg Place/Setting http://www.pool-la.com/a-berghain-devotional daily 0.75 2019-04-25 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556185487439-P24K5IDYU371XYN6X68T/Sam%2BHolleran.jpg A Berghain Devotional https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556180616085-41SZU859DEKEHMXEGBZC/Sam+Holleran_top01.jpg A Berghain Devotional https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556180617647-CBQSMU0YE8FCFDB8TZEC/Sam+Holleran_top02.jpg A Berghain Devotional https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556180722172-4SRFH7K23WKVXDCQJWWZ/Sam+Holleran_middle01.jpg A Berghain Devotional https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556180723436-JEUIFZWPK4K6C5E7MRDL/Sam+Holleran_middle02.jpg A Berghain Devotional https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556180847777-EPUHV7GYXEKFEOLYK3O6/Sam+Holleran_bottom01.jpg A Berghain Devotional https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1556180847180-OB6ZUZPD398SBRWCTV89/Sam+Holleran_bottom02.jpg A Berghain Devotional http://www.pool-la.com/parti-and-a-beer daily 0.75 2019-05-14 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1557871592742-760E40U5XB0J9T9XZ815/Parti_logos_forWebsite-01.jpg Parti and a Beer https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1557871604497-2CW3J4S14IY8U9CM74H9/Parti_logos_forWebsite-02.jpg Parti and a Beer http://www.pool-la.com/call-for-submissions-simulation daily 0.75 2024-01-30 https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1579302009320-JDCYHRLCLACKHG3J66H1/FINAL_20.1.16_POOL_CALL_GRAPHIC_WHITE-01.jpg Call For Submissions_Simulation https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1579301964112-WBM1GRICHNL9QA7GLWPF/FINAL_20.1.16_POOL_CALL_GRAPHIC_WHITE-02.jpg Call For Submissions_Simulation https://images.squarespace-cdn.com/content/v1/5529e89fe4b056ed1944d70f/1579306819894-5067L2M5SIGMGRDXZ4UM/20.1.17_POOL_CALL_GRAPHIC_WHITE-03.jpg Call For Submissions_Simulation http://www.pool-la.com/calls daily 0.75 2022-01-03 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